Archive for March, 2012
Finally, our narrator explains that the next performance of Tibetan opera is based on a Jataka tale, recounting a previous life of the Buddha as the king Lodro Zangpo. The actors and actresses come from the Rumtek Opera Society, formed in 1961 during the time of the Sixteenth Karmapa, who was very fond of Tibetan opera. Sometimes, the group would perform for seven days in a row. Among the actors tonight are original members of the society, who have trained the new generation, helping to preserve this tradition started in Tibet by Thangtong Gyalpo (1385-1464). The opera ends with all the actors on stage and a lively Ki ki so so lha gyalo! All victory to the divine!
… tonight’s play based on the life of the Second Karmapa, Karma Pakshi (1206-1283). Written by the Gyalwang Karmapa in a contemporary idiom, the drama focuses on three events: the arrival of Orgyenpa (1230-1312), who would hold the Karma Pakshi’s lineage; the meeting of these two great lamas; and finally, Orgyenpa’s meeting and recognizing the Third Karmapa, Rangjung Dorje (1284-1339). During the time of the Seventh Karmapa, such dramas, based on the lives of buddhas, bodhisattvas, and other realized beings, were performed during the first fifteen days of the New Year, commemorating the time when the Buddha performed his great miracles. At Tsurphu, (the Karmapa’s main seat in Tibet), the custom was to practice the Twenty-Branch Monlam in the morning and present these dramas in the afternoon.
To keep the Monlam spirit throughout the year some of us might want to do the Sanskrit prayer regularly. Here are recordings of some of these prayers and the Sanskrit Prayer Booklet with English, Chinese, and Korean translation for download.
- Sanskrit Prayer Booklet
Sanskrit Morning Prayers (Refuge, p. 26 – Heart Sutra, p. 33)
Sanskrit Tea Offering